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"In
a small playroom at the Children's Medical Center in
Dallas, Michelle York of Kaufman is playing peek-a-boo
with her 5-month-old son, Khristopher, trying to make
him smile.
The
baby is cradled in the arms of Genette Parsons, although
he can't see her.
Genette
is draped in a dark gray cloth. Her job is to blend
into the background while holding Khristopher as her
friend Synthia Miller snaps his photograph.
It's
a simple, familiar moment in most families' lives, getting
your child photographed. But when your baby has been
in and out of hospitals since birth, as Khristopher
has, when he suffers from respiratory problems that
make his mother fearful of taking him into public spaces,
and when you have three other children at home, photos
just aren't a priority.
"I
don't really have any pictures of him," Ms. York
says.
That's
why Genette and Synthia are here. The close friends
created Heartworks Photography, a nonprofit organization
to provide free portraits to families with children
suffering life-threatening illnesses.
The
idea, they say, comes out of a long friendship shaped
by similar values, blessings and hobbies.
"We
both enjoy life. We feel blessed by our choices of husbands,
I guess you would say, and we both love photography.
We wanted to contribute or give back in some way,"
Synthia of Carol Stream, Ill., says.
Inspiration
struck three years ago, when Synthia was in Dallas visiting
Genette, who lived here at the time. The two had become
friends more than a decade ago after meeting at a four-wheel-drive
event in Illinois.
Reading
the newspaper one morning, Synthia came across an article
about a photographer who donated Polaroid pictures to
children with cancer at a local hospital.
The
women began to think. What if they took photos of sick
children, too? Genette, a grandmother, loves photographing
children. Synthia, also an avid photographer, was once
a sick kid herself.
"You
became the illness," she says. "They didn't
see you anymore as a kid."
What
if they airbrushed from the photos the white tape, the
tubes and the medical equipment that the kids had to
drag around – the stuff that didn't allow others
to see them just as kids?
What
if they let the children dress up like cowboys or princesses,
playing pretend like any other kid? What if they offered
portrait packages, so that parents could place a framed
picture of their little one who happened to be sick
among the family collection? And what if they allowed
siblings to join in, if they wanted, so that there's
finally a family photo?
In
nearly two years, the pair has photographed more than
1,600 kids in eight cities across the country.
They've
heard from parents who tell them that their child died
shortly after having the portraits made. There's the
mother who says that she was able to see her baby's
features for the first time because she had never seen
the child without the white tape and tubes snaking along
her face.
There's
a waiting list for their services and a growing need
for their work. Lately, they've been hearing from families
who ask if they can edit photos of children they've
lost because the children are surrounded by medical
equipment and bandages.
Heartworks,
once born out of their personal desire to give back,
has now grown bigger than they anticipated, Genette
and Synthia say.
"When
we first started this, this was ours," Genette
says. "Now it's become an entity in and of itself.
"In
five years, if we're tired and we can't do it anymore,
we want it to go on."
The
women kid about how they would fund an endowment to
allow Heartworks to continue. Genette plans to win the
lottery. Synthia is going on Survivor, certain of winning
on the popular television show.
Actually,
the women are seeking grants and donations to help them
expand their work and ensure that it will continue if
they step aside.
But
neither has any intention of quitting any time soon.
There's work to do. Five-year-old David Cisneros stands
at the door of the playroom, wearing a green camouflage
cap and tentatively peering inside at the cameras and
lights.
His
older brother and sister are with him. Genette tells
the three to take off their socks and shoes. They sprawl
on the floor, leaning close to each other. Synthia begins
to shoot.
At
the end, she shows David the images on her camera. He
is deaf and cannot speak, but his face lights up. He
points to the camera and then himself.
Evelia
Cisneros, his mother, is watching. Her oldest son, Jesus,
translates for her. She feels happy.
"This
is the first time that they are all together for a picture,"
she says."
By KAREN M. THOMAS / The Dallas Morning News
06:16 PM CDT on Friday, August 13, 2004
To contact the Author of this Article, Email : kthomas@dallasnews.com
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